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A truly special, original vintage piece: the EA33 Aluminum Group lounge chair, manufactured by Herman Miller and designed by Charles and Ray Eames. Sleek, sculptural, and incredibly comfortable, this iconic silhouette brings instant mid-century credibility to a living space, studio, or office.
First developed in 1958 as a special project by Ray Eames for a private residence being designed by Eero Saarinen and Alexander Girard, the Aluminum Group has become one of the most recognisable modern design achievements of the 20th century. This example dates to the 1970s, featuring a classic tan Naugahyde upholstery with an aluminum frame and a smooth swivel base.
A rare find in original condition—please refer closely to the images provided for the full condition report.
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Height: 87.63 cm (34.5")
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Width: 55.88 cm (22")
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Depth: 71.12 cm (28")
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Seat height: 40.64 cm (16")
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Aluminum frame
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Original tan Naugahyde upholstery
Key features
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Aluminum frame
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Original tan Naugahyde upholstery
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Authentic vintage 1970s EA33 Aluminum Group lounge chair
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Manufacturer: Herman Miller
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Designer: Charles and Ray Eames
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Swivel base
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Mid-Century Modern (of the period)
Condition report
Very good vintage condition. Wear consistent with age and use.
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Some discolouration and visible damage to upholstery on the corners of the seat and along the top edge of the backrest
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Minor surface wear/scuffs to the metal consistent with age
Please refer closely to photos as they form part of the description.
Notes for collectors
Original vintage seating is prized for its patina and authenticity. This piece presents beautifully while retaining honest signs of age—exactly what you want in a true collectible.
Brand & Designer
Herman Miller
Color
Brown
Style
Mid-Century Modern
Material
Aluminium
Condition
Good
Dimensions (cm)
56.0W x 72.0D x 88.0H
Design Story
Founded in 1905 in Michigan as a traditional furniture company, it transformed in the 1930s under the leadership of D.J. De Pree. Instead of playing it safe with conventional styles, the company leaned into modernism, collaborating with visionary designers who would go on to define an era.
The turning point came through partnerships with figures like Charles Eames and Ray Eames, whose molded plywood and fiberglass chairs became icons of mid century design. George Nelson, the company’s design director, helped establish a cohesive and forward thinking identity, bringing in talents like Isamu Noguchi.
Over time, Herman Miller built a reputation for blending aesthetics with function. That philosophy carried into the late 20th century with innovations like the Aeron Chair, which redefined office seating and became a symbol of early tech culture.
Today, Herman Miller remains a global design leader, balancing heritage with innovation. Its pieces are not just furniture, they’re cultural artifacts that quietly signal taste, whether in a Silicon Valley office or a carefully curated living room.
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