Details
About this piece
Sculptural vintage Featherston Numero modular sofa set, manufactured in the 1970s. Recognised design held in the permanent collection of the NGV. This large four-piece configuration offers generous modular flexibility with resilient, comfortable foam cushioning.
Set comprises:
- 2 curved two-seaters
- 2 single modular seats
Offered freshly reupholstered to order in the client’s chosen fabric. Example shown in mossy chartreuse velvet. Expertly recovered in premium-quality upholstery with supportive, bouncy foam cushioning.
Additional modules may be available to reupholster on request (corners, singles, an ottoman, and IV low and high back chairs).
Condition
- Newly restored and reupholstered
- Structurally sound
- Foam cushioning remains resilient
- Presents well overall
Dimensions
- Curved two-seaters: 185 cm W x 80 cm D x 67 cm H
- Single corner/end pieces: 80 cm W x 80 cm D x 67 cm H
- Whole set configuration: 360 cm W x 310 cm D
Set comprises:
- 2 curved two-seaters
- 2 single modular seats
Offered freshly reupholstered to order in the client’s chosen fabric. Example shown in mossy chartreuse velvet. Expertly recovered in premium-quality upholstery with supportive, bouncy foam cushioning.
Additional modules may be available to reupholster on request (corners, singles, an ottoman, and IV low and high back chairs).
Condition
- Newly restored and reupholstered
- Structurally sound
- Foam cushioning remains resilient
- Presents well overall
Dimensions
- Curved two-seaters: 185 cm W x 80 cm D x 67 cm H
- Single corner/end pieces: 80 cm W x 80 cm D x 67 cm H
- Whole set configuration: 360 cm W x 310 cm D
- Color
- Orange
- Style
- Mid-Century Modern
- Material
- Other Fabric and Textiles
- Condition
- Excellent
- Dimensions (cm)
- W 80D 185H 67
Design Story
Grant Featherston is one of the defining figures of Australian modernist furniture design, known for creating pieces that combined sculptural elegance with a distinctly relaxed Australian sensibility.
Beginning his career in Melbourne during the 1940s, Featherston initially worked in commercial art and illustration before moving into furniture design. At a time when Australia still relied heavily on traditional European styles, his work introduced softer organic forms inspired by modernism and postwar experimentation.
His breakthrough came with the release of the Contour Chair series, which used molded plywood techniques to create flowing, human centered shapes that felt both futuristic and comfortable. Unlike many rigid modernist designs of the era, Featherston’s furniture had warmth and personality, helping define a more approachable version of mid century design.
Over the following decades, Featherston collaborated with manufacturers across Australia and became especially influential in educational and public seating. His designs balanced functionality with visual lightness, often using minimal materials to create strong sculptural identities.
Today, original Featherston pieces are highly collectible and remain deeply associated with Australian design history. Whether in vintage homes, galleries, or contemporary interiors, his work continues to represent a uniquely Australian interpretation of modernism: refined, innovative, and effortlessly relaxed.
Beginning his career in Melbourne during the 1940s, Featherston initially worked in commercial art and illustration before moving into furniture design. At a time when Australia still relied heavily on traditional European styles, his work introduced softer organic forms inspired by modernism and postwar experimentation.
His breakthrough came with the release of the Contour Chair series, which used molded plywood techniques to create flowing, human centered shapes that felt both futuristic and comfortable. Unlike many rigid modernist designs of the era, Featherston’s furniture had warmth and personality, helping define a more approachable version of mid century design.
Over the following decades, Featherston collaborated with manufacturers across Australia and became especially influential in educational and public seating. His designs balanced functionality with visual lightness, often using minimal materials to create strong sculptural identities.
Today, original Featherston pieces are highly collectible and remain deeply associated with Australian design history. Whether in vintage homes, galleries, or contemporary interiors, his work continues to represent a uniquely Australian interpretation of modernism: refined, innovative, and effortlessly relaxed.
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