Details
About this piece
The Caper was designed by Jeff Weber for Herman Miller and launched in 1999, as a light stacking chair that is still comfortable an hour into a meeting.
The perforated back lets air through and flexes as you lean. This version has the FLEXNET suspension seat, a woven mesh that spreads your weight in place of a hard shell.
White back and seat frame, silver steel frame, fixed arms and castors. The chairs stack up to 6 high on the floor.
Condition
Pre-owned, in fair condition. Several available, and each varies. The chairs show previous use: the arms are discoloured from use and there is some spotting on the frame. See photos.
Ideal for
Meeting rooms, training rooms, breakout areas, home offices and dining tables.
- Width: 616 mm
- Depth: 470 mm
- Height: 813 mm
- Seat height: 457 mm
Manufacturer specifications, approximate.
Details ▾- Brand: Herman Miller
- Designer: Jeff Weber
- Model: Caper Stacking Chair, FLEXNET seat, fixed arms, castors
- Colour: White back and seat, silver frame
- Stacking: Up to 6 high on the floor
- Made in: USA, August 2014 (label under the seat)
- Condition: Pre-owned, fair
- Brand & Designer
- Herman Miller
- Color
- White
- Style
- Modern
- Material
- Plastic
- Condition
- Average
- Dimensions (cm)
- W 61.6D 47H 81.3
Design Story
Founded in 1905 in Michigan as a traditional furniture company, it transformed in the 1930s under the leadership of D.J. De Pree. Instead of playing it safe with conventional styles, the company leaned into modernism, collaborating with visionary designers who would go on to define an era.
The turning point came through partnerships with figures like Charles Eames and Ray Eames, whose molded plywood and fiberglass chairs became icons of mid century design. George Nelson, the company’s design director, helped establish a cohesive and forward thinking identity, bringing in talents like Isamu Noguchi.
Over time, Herman Miller built a reputation for blending aesthetics with function. That philosophy carried into the late 20th century with innovations like the Aeron Chair, which redefined office seating and became a symbol of early tech culture.
Today, Herman Miller remains a global design leader, balancing heritage with innovation. Its pieces are not just furniture, they’re cultural artifacts that quietly signal taste, whether in a Silicon Valley office or a carefully curated living room.
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