Details
About this piece
The Herman Miller Caper is the stacking chair for people who actually have to sit in one. Jeff Weber designed it in 1999 to be light enough to move with one hand and still comfortable an hour into a meeting.
The comfort comes from two places. The perforated back flexes as you lean and lets air through, and the FLEXNET seat is a woven suspension mesh that spreads your weight, where most stacking chairs give you a hard shell.
This is the armless version on castors, in black with a silver steel frame. It rolls where you need it, tucks in close at a table, and stacks up to 6 high when the room needs clearing.
Condition
Pre-owned. Several available, and each varies. Overall Good condition. See photos.
Ideal for
Meeting rooms, training rooms, breakout areas, home offices and dining tables.
- Width: 547 mm
- Height: 813 mm
- Seat height: 457 mm
Manufacturer specifications, approximate.
Details ▾- Brand: Herman Miller
- Designer: Jeff Weber
- Model: Caper Stacking Chair, FLEXNET seat, no arms, castors
- Colour: Black back and seat, silver frame
- Stacking: Up to 6 high on the floor
- Condition: Pre-owned
- Brand & Designer
- Herman Miller
- Color
- Black
- Style
- Modern
- Material
- Plastic
- Condition
- Good
- Dimensions
- Enquire for dimensions
Design Story
Founded in 1905 in Michigan as a traditional furniture company, it transformed in the 1930s under the leadership of D.J. De Pree. Instead of playing it safe with conventional styles, the company leaned into modernism, collaborating with visionary designers who would go on to define an era.
The turning point came through partnerships with figures like Charles Eames and Ray Eames, whose molded plywood and fiberglass chairs became icons of mid century design. George Nelson, the company’s design director, helped establish a cohesive and forward thinking identity, bringing in talents like Isamu Noguchi.
Over time, Herman Miller built a reputation for blending aesthetics with function. That philosophy carried into the late 20th century with innovations like the Aeron Chair, which redefined office seating and became a symbol of early tech culture.
Today, Herman Miller remains a global design leader, balancing heritage with innovation. Its pieces are not just furniture, they’re cultural artifacts that quietly signal taste, whether in a Silicon Valley office or a carefully curated living room.
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