Details

This highly collectible vintage Eames Segmented Circular Table by Herman Miller is an exceptional addition to any contemporary or mid century space. Measuring 72cm high and a generous 140cm in diameter, it provides plenty of room for comfortable dining or serves as a striking centrepiece for a creative office.

Designed originally in 1964 by Charles and Ray Eames, the segmented table series was celebrated for its ingenious modular construction. This specific piece beautifully highlights that design philosophy. The striking blue top is uniquely constructed from four precise joining pieces, creating subtle, elegant dividing lines that meet perfectly in the centre. This architectural top sits seamlessly on the iconic white cast aluminium segmented base, creating a crisp and contrasting silhouette.

This vintage piece is in very good condition, presenting only minor signs of wear commensurate with its age. Its clean lines and clever construction pair perfectly with textured upholstered seating, adding a striking sculptural element to a modernist interior.

Dimensions:

Height: 72 CM

Diameter: 140 CM

Brand & Designer

Herman Miller

Color

Blue

Style

Mid-Century Modern

Material

Aluminium

Condition

Good

Dimensions (cm)

140.0W x 140.0D x 72.0H

Design Story

Herman Miller is one of the most influential furniture manufacturers of the 20th and 21st centuries, known for shaping modern design as much as filling offices and homes.

Founded in 1905 in Michigan as a traditional furniture company, it transformed in the 1930s under the leadership of D.J. De Pree. Instead of playing it safe with conventional styles, the company leaned into modernism, collaborating with visionary designers who would go on to define an era.

The turning point came through partnerships with figures like Charles Eames and Ray Eames, whose molded plywood and fiberglass chairs became icons of mid century design. George Nelson, the company’s design director, helped establish a cohesive and forward thinking identity, bringing in talents like Isamu Noguchi.

Over time, Herman Miller built a reputation for blending aesthetics with function. That philosophy carried into the late 20th century with innovations like the Aeron Chair, which redefined office seating and became a symbol of early tech culture.

Today, Herman Miller remains a global design leader, balancing heritage with innovation. Its pieces are not just furniture, they’re cultural artifacts that quietly signal taste, whether in a Silicon Valley office or a carefully curated living room.

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