Details
About this piece
Designed by Charles and Ray Eames, the Eames Molded Fiberglass Side Chair is one of the most iconic furniture designs of the 20th century.
This example features the original Herman Miller Green fibreglass shell, paired with a White Wire “Eiffel” Base. Herman Miller documentation identifies this fibreglass colour simply as Green (finish 116).
The moulded fibreglass construction gives the shell its distinctive depth, texture and visible fibres, creating a character that is noticeably different from the later polypropylene Eames chairs.
Manufactured in the USA in December 2015, this chair retains the original Herman Miller, Eames Office and Eames signature markings moulded into the underside of the shell, confirming its authenticity.
Details:
- Designer: Charles & Ray Eames
- Manufacturer: Herman Miller
- Model: Eames Molded Fiberglass Side Chair
- Shell colour: Green
- Shell material: Moulded fibreglass
- Base: White wire / Eiffel base
- Made in USA
- Manufactured: December 2015
- Authentic Herman Miller production
Condition:
Pre-owned with surface scratching, marks and signs of use throughout the shell and base. The visible fibres and variation within the shell are characteristic of genuine moulded fibreglass. Please refer to the photos for the overall condition.
- Brand & Designer
- Herman Miller
- Color
- Green
- Style
- Contemporary
- Material
- Fibreglass
- Condition
- Good
- Dimensions (cm)
- W 55D 55H 70
Design Story
Founded in 1905 in Michigan as a traditional furniture company, it transformed in the 1930s under the leadership of D.J. De Pree. Instead of playing it safe with conventional styles, the company leaned into modernism, collaborating with visionary designers who would go on to define an era.
The turning point came through partnerships with figures like Charles Eames and Ray Eames, whose molded plywood and fiberglass chairs became icons of mid century design. George Nelson, the company’s design director, helped establish a cohesive and forward thinking identity, bringing in talents like Isamu Noguchi.
Over time, Herman Miller built a reputation for blending aesthetics with function. That philosophy carried into the late 20th century with innovations like the Aeron Chair, which redefined office seating and became a symbol of early tech culture.
Today, Herman Miller remains a global design leader, balancing heritage with innovation. Its pieces are not just furniture, they’re cultural artifacts that quietly signal taste, whether in a Silicon Valley office or a carefully curated living room.
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