Details
About this piece
George Nelson Pedestal Coffee Table for Herman Miller
An iconic mid-century design by George Nelson, originally designed in 1954 for Herman Miller and made in the USA.
This elegant round coffee table features a crisp white laminate top supported by Nelson’s distinctive polished aluminium pedestal base. The beautifully simple form and sculptural base are characteristic of Nelson’s influential approach to modern American furniture, making this a timeless piece for both contemporary and mid-century interiors.
The table presents very well, with very light surface scratches to the laminate top and minor wear consistent with age. Overall, it is in very good vintage condition and retains the clean, understated appearance for which the design is renowned.
Designer: George Nelson
Manufacturer: Herman Miller
Designed: 1954
Country of Manufacture: USA
Materials: White laminate and polished aluminium
Dimensions: 54H x 43 Diameter
- Brand & Designer
- Herman Miller
- Color
- White
- Style
- Mid-Century Modern
- Material
- Aluminium
- Condition
- Good
- Dimensions (cm)
- W 43D 43H 54
Design Story
Founded in 1905 in Michigan as a traditional furniture company, it transformed in the 1930s under the leadership of D.J. De Pree. Instead of playing it safe with conventional styles, the company leaned into modernism, collaborating with visionary designers who would go on to define an era.
The turning point came through partnerships with figures like Charles Eames and Ray Eames, whose molded plywood and fiberglass chairs became icons of mid century design. George Nelson, the company’s design director, helped establish a cohesive and forward thinking identity, bringing in talents like Isamu Noguchi.
Over time, Herman Miller built a reputation for blending aesthetics with function. That philosophy carried into the late 20th century with innovations like the Aeron Chair, which redefined office seating and became a symbol of early tech culture.
Today, Herman Miller remains a global design leader, balancing heritage with innovation. Its pieces are not just furniture, they’re cultural artifacts that quietly signal taste, whether in a Silicon Valley office or a carefully curated living room.




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