Details
About this piece
Brazilian rosewood side table by Sergio Rodrigues, Brazil.
- Designer: Sergio Rodrigues
- Material: Brazilian rosewood
- Country: Brazil
- Designer: Sergio Rodrigues
- Material: Brazilian rosewood
- Country: Brazil
- Brand & Designer
- Sergio Rodrigues
- Color
- Brown
- Style
- Vintage
- Material
- Rosewood
- Condition
- Good
- Dimensions (cm)
- W 46D 46H 60
Design Story
Sergio Rodrigues is widely regarded as the father of modern Brazilian furniture design, celebrated for creating pieces that combined modernism with the warmth, richness, and relaxed spirit of Brazilian culture.
Born in 1927 in Rio de Janeiro, Rodrigues trained as an architect before turning to furniture design during a period when Brazil was developing its own modern cultural identity. While European modernism often favored strict minimalism, Rodrigues introduced a softer and more expressive approach built around comfort, natural materials, and craftsmanship.
His most iconic creation, the Mole Chair, became an international symbol of Brazilian design. Designed in 1957, the chair featured a heavy wooden frame paired with oversized leather cushions suspended by straps, creating a look that felt both luxurious and deeply informal. It challenged the idea that modern furniture needed to be rigid or austere.
Throughout his career, Rodrigues embraced native Brazilian woods and traditional artisanal techniques, helping establish a uniquely Brazilian design language rooted in texture, sensuality, and relaxed living. His furniture often felt architectural yet inviting, balancing sculptural presence with exceptional comfort.
Today, Sergio Rodrigues remains one of the most influential figures in Latin American design history. His work continues to appear in galleries, luxury interiors, and design collections around the world, representing a vision of modernism that feels human, warm, and unmistakably Brazilian.
Born in 1927 in Rio de Janeiro, Rodrigues trained as an architect before turning to furniture design during a period when Brazil was developing its own modern cultural identity. While European modernism often favored strict minimalism, Rodrigues introduced a softer and more expressive approach built around comfort, natural materials, and craftsmanship.
His most iconic creation, the Mole Chair, became an international symbol of Brazilian design. Designed in 1957, the chair featured a heavy wooden frame paired with oversized leather cushions suspended by straps, creating a look that felt both luxurious and deeply informal. It challenged the idea that modern furniture needed to be rigid or austere.
Throughout his career, Rodrigues embraced native Brazilian woods and traditional artisanal techniques, helping establish a uniquely Brazilian design language rooted in texture, sensuality, and relaxed living. His furniture often felt architectural yet inviting, balancing sculptural presence with exceptional comfort.
Today, Sergio Rodrigues remains one of the most influential figures in Latin American design history. His work continues to appear in galleries, luxury interiors, and design collections around the world, representing a vision of modernism that feels human, warm, and unmistakably Brazilian.
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