Details
About this piece
Bench seating designed by Grant Featherston for Aristoc, newly reupholstered. Upright, postured seat and back with welded steel bases; all joints are welded for rigidity. Seat and back sections have been serviced.
Upholstery available in grey and sage green; additional colour note from the seller includes Forest Green Velvet.
- Designer: Grant Featherston
- Producer: Aristoc
- Country: Australia
- Materials: Steel, Vinyl
- Dimensions: 231 cm W x 58 cm D x 82 cm H
- Colours noted: Forest Green Velvet, Grey, Sage Green
Upholstery available in grey and sage green; additional colour note from the seller includes Forest Green Velvet.
- Designer: Grant Featherston
- Producer: Aristoc
- Country: Australia
- Materials: Steel, Vinyl
- Dimensions: 231 cm W x 58 cm D x 82 cm H
- Colours noted: Forest Green Velvet, Grey, Sage Green
- Brand & Designer
- Featherston
- Color
- Green
- Style
- Mid-Century Modern
- Material
- Velvet
- Condition
- Excellent
- Dimensions (cm)
- W 231D 58H 82
Design Story
Grant Featherston is one of the defining figures of Australian modernist furniture design, known for creating pieces that combined sculptural elegance with a distinctly relaxed Australian sensibility.
Beginning his career in Melbourne during the 1940s, Featherston initially worked in commercial art and illustration before moving into furniture design. At a time when Australia still relied heavily on traditional European styles, his work introduced softer organic forms inspired by modernism and postwar experimentation.
His breakthrough came with the release of the Contour Chair series, which used molded plywood techniques to create flowing, human centered shapes that felt both futuristic and comfortable. Unlike many rigid modernist designs of the era, Featherston’s furniture had warmth and personality, helping define a more approachable version of mid century design.
Over the following decades, Featherston collaborated with manufacturers across Australia and became especially influential in educational and public seating. His designs balanced functionality with visual lightness, often using minimal materials to create strong sculptural identities.
Today, original Featherston pieces are highly collectible and remain deeply associated with Australian design history. Whether in vintage homes, galleries, or contemporary interiors, his work continues to represent a uniquely Australian interpretation of modernism: refined, innovative, and effortlessly relaxed.
Beginning his career in Melbourne during the 1940s, Featherston initially worked in commercial art and illustration before moving into furniture design. At a time when Australia still relied heavily on traditional European styles, his work introduced softer organic forms inspired by modernism and postwar experimentation.
His breakthrough came with the release of the Contour Chair series, which used molded plywood techniques to create flowing, human centered shapes that felt both futuristic and comfortable. Unlike many rigid modernist designs of the era, Featherston’s furniture had warmth and personality, helping define a more approachable version of mid century design.
Over the following decades, Featherston collaborated with manufacturers across Australia and became especially influential in educational and public seating. His designs balanced functionality with visual lightness, often using minimal materials to create strong sculptural identities.
Today, original Featherston pieces are highly collectible and remain deeply associated with Australian design history. Whether in vintage homes, galleries, or contemporary interiors, his work continues to represent a uniquely Australian interpretation of modernism: refined, innovative, and effortlessly relaxed.
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