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Details
By rethinking every part of a successful design, Herman Miller and Studio 7.5 created the Mirra 2 to be leaner, lighter, and highly responsive, supporting you wherever your work takes you.
This model is the Mirra 2 Drafting Stool, designed for higher work surfaces, standing desks, studio benches, reception counters, and commercial workstations. It features the upgraded Butterfly Back, offering a more refined and supportive feel compared to the standard TriFlex polymer back.
Finished in a clean Graphite/Black colourway, this chair has a premium commercial look while still delivering the ergonomic comfort Herman Miller is known for. The breathable suspension seat, adjustable arms, foot ring, and smooth height adjustment make it ideal for long work sessions where a standard task chair is not high enough.
A great opportunity to purchase an ex-showroom Herman Miller Mirra 2 Butterfly Back Drafting Stool without paying full retail.
Key Features
Authentic Herman Miller Mirra 2 Drafting Stool
Upgraded Butterfly Back design
Graphite/Black finish
Breathable suspension seat
Adjustable armrests
Height-adjustable drafting stool base
Chrome foot ring for added support
Smooth rolling 5-star base
Designed for higher workstations, counters, studios, and standing desks
Premium commercial-grade ergonomic build quality
Designed by Studio 7.5 for Herman Miller
Condition:
Ex-showroom - Exellent condition. This stool has been lightly used for showroom/display purposes only and presents very well overall. It has been professionally cleaned, inspected, and tested, with all main functions working as intended. There may be very minor cosmetic signs from handling or display, but overall it is in excellent condition.
Brand & Designer
Herman Miller
Color
Black
Style
Modern
Material
Other Fabric and Textiles
Condition
Excellent
Dimensions (cm)
50.0W x 50.0D x 110.0H
Design Story
Founded in 1905 in Michigan as a traditional furniture company, it transformed in the 1930s under the leadership of D.J. De Pree. Instead of playing it safe with conventional styles, the company leaned into modernism, collaborating with visionary designers who would go on to define an era.
The turning point came through partnerships with figures like Charles Eames and Ray Eames, whose molded plywood and fiberglass chairs became icons of mid century design. George Nelson, the company’s design director, helped establish a cohesive and forward thinking identity, bringing in talents like Isamu Noguchi.
Over time, Herman Miller built a reputation for blending aesthetics with function. That philosophy carried into the late 20th century with innovations like the Aeron Chair, which redefined office seating and became a symbol of early tech culture.
Today, Herman Miller remains a global design leader, balancing heritage with innovation. Its pieces are not just furniture, they’re cultural artifacts that quietly signal taste, whether in a Silicon Valley office or a carefully curated living room.
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