Details

An iconic example of Australian modernist design, the Numero 1V modular armchair by Grant Featherston is a sculptural and highly versatile seating piece.


Designed as part of Featherston’s innovative modular system, the 1V form allows for flexible configurations while retaining a strong, individual presence.


Upholstered in a bold red fabric, the chair’s flowing curves and low-slung profile reflect Featherston’s human-centred approach to comfort and form.


Equally compelling as a standalone piece or combined within a larger modular arrangement, it is a rare and highly collectible design.


Details

  • Designer: Grant Featherston
  • Model: Numero 1V
  • Origin: Australia
  • Period: Mid-Century Modern
  • Colour: Red


Condition

Very good condition, with light wear consistent with age and use.


A standout piece of Australian design history, ideal for collectors and design-led interiors.

Brand & Designer

Featherston

Color

Red

Style

Mid-Century Modern

Material

Other Fabric and Textiles

Condition

Excellent

Dimensions (cm)

80.0W x 80.0D x 55.0H

Design Story

Grant Featherston is one of the defining figures of Australian modernist furniture design, known for creating pieces that combined sculptural elegance with a distinctly relaxed Australian sensibility.

Beginning his career in Melbourne during the 1940s, Featherston initially worked in commercial art and illustration before moving into furniture design. At a time when Australia still relied heavily on traditional European styles, his work introduced softer organic forms inspired by modernism and postwar experimentation.

His breakthrough came with the release of the Contour Chair series, which used molded plywood techniques to create flowing, human centered shapes that felt both futuristic and comfortable. Unlike many rigid modernist designs of the era, Featherston’s furniture had warmth and personality, helping define a more approachable version of mid century design.

Over the following decades, Featherston collaborated with manufacturers across Australia and became especially influential in educational and public seating. His designs balanced functionality with visual lightness, often using minimal materials to create strong sculptural identities.

Today, original Featherston pieces are highly collectible and remain deeply associated with Australian design history. Whether in vintage homes, galleries, or contemporary interiors, his work continues to represent a uniquely Australian interpretation of modernism: refined, innovative, and effortlessly relaxed.

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