Details
About this piece
“A chair… should reflect the central organic these of its existence. It must resolve the sculpturistic potential of its constituent materials, the seating demands of the human body and the psychological requirements”.
G Featherston.
Grant Featherston (1922–1995) is widely regarded as one of Australia’s most important mid-century furniture designers, helping define the look of post-war modern interiors.
Here are two fine examples of beautiful seating. The RE chairs have all of that, plus the stylish arms that contour you and slender legs without making it too bulky.
A pair available - and sold separately.
Approx 600mmW x 600mmD x 800mmH
- Brand & Designer
- Featherston
- Color
- Red
- Style
- Mid-Century Modern
- Material
- Leather
- Condition
- Excellent
- Dimensions (cm)
- W 60D 60H 80
Design Story
Beginning his career in Melbourne during the 1940s, Featherston initially worked in commercial art and illustration before moving into furniture design. At a time when Australia still relied heavily on traditional European styles, his work introduced softer organic forms inspired by modernism and postwar experimentation.
His breakthrough came with the release of the Contour Chair series, which used molded plywood techniques to create flowing, human centered shapes that felt both futuristic and comfortable. Unlike many rigid modernist designs of the era, Featherston’s furniture had warmth and personality, helping define a more approachable version of mid century design.
Over the following decades, Featherston collaborated with manufacturers across Australia and became especially influential in educational and public seating. His designs balanced functionality with visual lightness, often using minimal materials to create strong sculptural identities.
Today, original Featherston pieces are highly collectible and remain deeply associated with Australian design history. Whether in vintage homes, galleries, or contemporary interiors, his work continues to represent a uniquely Australian interpretation of modernism: refined, innovative, and effortlessly relaxed.
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