Details
About this piece
The Numero 1V modular armchair by Grant Featherston is a sculptural, versatile seating module from his Australian Mid-Century Modern series. Designed within Featherston’s modular system, the 1V form enables flexible configurations while maintaining a clear, individual presence.
Upholstered in a bold red fabric, the chair’s flowing curves and low-slung profile reflect Featherston’s human-centred approach to comfort and form. Effective as a standalone piece or integrated into a larger modular arrangement, it remains a rare, collectible design.
Details:
- Designer: Grant Featherston
- Model: Numero 1V
- Origin: Australia
- Period: Mid-Century Modern
- Colour: Red
Condition:
- Very good, with light wear consistent with age and use.
Upholstered in a bold red fabric, the chair’s flowing curves and low-slung profile reflect Featherston’s human-centred approach to comfort and form. Effective as a standalone piece or integrated into a larger modular arrangement, it remains a rare, collectible design.
Details:
- Designer: Grant Featherston
- Model: Numero 1V
- Origin: Australia
- Period: Mid-Century Modern
- Colour: Red
Condition:
- Very good, with light wear consistent with age and use.
- Brand & Designer
- Featherston
- Color
- Red
- Style
- Mid-Century Modern
- Material
- Other Fabric and Textiles
- Condition
- Excellent
- Dimensions (cm)
- W 80D 80H 55
Design Story
Grant Featherston is one of the defining figures of Australian modernist furniture design, known for creating pieces that combined sculptural elegance with a distinctly relaxed Australian sensibility.
Beginning his career in Melbourne during the 1940s, Featherston initially worked in commercial art and illustration before moving into furniture design. At a time when Australia still relied heavily on traditional European styles, his work introduced softer organic forms inspired by modernism and postwar experimentation.
His breakthrough came with the release of the Contour Chair series, which used molded plywood techniques to create flowing, human centered shapes that felt both futuristic and comfortable. Unlike many rigid modernist designs of the era, Featherston’s furniture had warmth and personality, helping define a more approachable version of mid century design.
Over the following decades, Featherston collaborated with manufacturers across Australia and became especially influential in educational and public seating. His designs balanced functionality with visual lightness, often using minimal materials to create strong sculptural identities.
Today, original Featherston pieces are highly collectible and remain deeply associated with Australian design history. Whether in vintage homes, galleries, or contemporary interiors, his work continues to represent a uniquely Australian interpretation of modernism: refined, innovative, and effortlessly relaxed.
Beginning his career in Melbourne during the 1940s, Featherston initially worked in commercial art and illustration before moving into furniture design. At a time when Australia still relied heavily on traditional European styles, his work introduced softer organic forms inspired by modernism and postwar experimentation.
His breakthrough came with the release of the Contour Chair series, which used molded plywood techniques to create flowing, human centered shapes that felt both futuristic and comfortable. Unlike many rigid modernist designs of the era, Featherston’s furniture had warmth and personality, helping define a more approachable version of mid century design.
Over the following decades, Featherston collaborated with manufacturers across Australia and became especially influential in educational and public seating. His designs balanced functionality with visual lightness, often using minimal materials to create strong sculptural identities.
Today, original Featherston pieces are highly collectible and remain deeply associated with Australian design history. Whether in vintage homes, galleries, or contemporary interiors, his work continues to represent a uniquely Australian interpretation of modernism: refined, innovative, and effortlessly relaxed.
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